Vesna Pavlović (Serbia/US) obtained her MFA degree in Visual Arts from Columbia University in New York in 2007. She is an Associate Professor of Art at Vanderbilt University in Nashville. Her projects examine the evolving relationship between memory in contemporary culture and the technologies of photographic image production. Expanding the photographic image beyond its frame, traditional format, and the narrative is central to her artistic strategies. She examines photographic representation of specific political and cultural histories, which include photographic archives and related artifacts.

Pavlović has exhibited widely, including solo shows at the Phillips Collection in Washington DC, the Frist Center for the Visual Arts in Nashville, Museum of History of Yugoslavia in Belgrade, and the Crocker Art Museum in Sacramento. She participated in a number of group shows, including the Untitled, 12th Istanbul Biennial, 2011, in Turkey; The MAC – Metropolitan Arts Center in Belfast, Northern Ireland; Württembergischen Kunstverein, Düsseldorf, Germany; KUMU Art Museum in Tallinn, Estonia; Zacheta, The National Gallery of Art in Warsaw, Poland; City Art Gallery, in Ljubljana, Slovenia; the New Art Gallery Walsall, Walsall, UK; the Bucharest Biennale 5, in Bucharest, Romania; Museum of Contemporary Photography in Chicago, USA; Le Quartier Center for Contemporary Art in Quimper, France; NGBK in Berlin, Germany; Photographers’ Gallery in London and Kettle’s Yard in Cambridge, UK; and FRAC Center for Contemporary Art in Dunkuerqe, France.

In the 1990s, in Belgrade, Pavlović worked closely with the feminist pacifist group Women in Black. Vesna Pavlović is the recipient of the The George A. and Eliza Gardner Howard Foundation in 2017, the City of Copenhagen Artist-in-Residence grant in 2011, and Contemporary Foundation for the Arts Emergency Grants in 2011 and 2014. She has received 2012 Art Matters Foundation grant. She is the recipient of the Fulbright Scholar Award for 2018.

Her work is included in major private and public art collections, Phillips Collection, the Hirshhorn Museum and Sculpture Garden, the Museum of Women in the Art in Washington DC, USA, and Museum of Contemporary Art, Belgrade, Serbia, among others. Publication about her work titled Vesna Pavlović’s Lost Art: Photography, Display, and the Archive, ?dited by Morna O’Neill, was published in 2018 by Hanes Art Gallery at Wake Forest University, USA.